{"id":1394,"date":"2024-01-28T21:42:00","date_gmt":"2024-01-28T21:42:00","guid":{"rendered":"https:\/\/ignaciourbina.com\/ignaciourbina2019\/?p=1394"},"modified":"2025-02-10T13:47:56","modified_gmt":"2025-02-10T13:47:56","slug":"selected-articles","status":"publish","type":"post","link":"https:\/\/ignaciourbina.com\/site_en\/selected-articles\/","title":{"rendered":"selected texts and articles"},"content":{"rendered":"\n

Experimental Studios on Biomimicry at Pratt
August, 2023<\/p>\n\n\n\n

S\u00e3o Paulo, Brazil<\/p>\n\n\n\n

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Text for the book MAP RESEARCH BIONICS: Transdisciplinary Ecosystems in Bionics, Biodesign and Biomimicry scientific and technological aspects for a design culture<\/a>.<\/p>\n\n\n\n

A map featuring 31 experiences with the work of professionals, researchers, colleagues, and friends who have dedicated significant efforts to the study and development of connections between design and natural systems. <\/p>\n<\/div>\n\n\n\n

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You can explore the work of Fabricio Vanden Broeck<\/a> (MX), Carmelo Di Bartolo<\/a> (IT), Morfolab <\/strong>(CO), Next <\/strong>and Biodesign <\/strong>(BR), Fred Gelli<\/a> (BR), and Ross Lovegrove<\/a> (UK), among many others.<\/p>\n\n\n\n

Edited by Brazilian industrial designer and researcher Amilton Arruda<\/strong> and published in S\u00e3o Paulo by Blucher Open Access. 464 p.: il. color; 21×28 cm [designNATURE]: Essays on Design, Bionics and Biomimicry.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Design in the Posthumanism
July, 2023<\/p>\n\n\n\n

Caracas, Venezuela<\/p>\n\n\n\n

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“In a world governed by algorithms, where artificial intelligence and technology blur the ideas of body and place, what forms and uses will sneak in from the notions of a human\u2013centered universe?”.<\/p>\n\n\n\n

The Dossier includes texts by Francesca Ferrando, Humberto Valdivieso, Lorena Rojas Parma, Victor J. Krebs, Maria Di Muro Pelegrino, Jos\u00e9 Luis Da Silva, Roberto Salazar, Rodrigo Esparza Parga, and Johanna P\u00e9rez Daza. <\/p>\n<\/div>\n\n\n\n

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Being part of this significant Dossier on Posthumanism<\/strong> in Papel Literario<\/a>, El Nacional, is truly an honor.<\/p>\n\n\n\n

The complete PDF of this special edition is available on the Posthumanism.org<\/a> website and on ResearchGate <\/strong>under the title Posthumanism Dossier<\/strong><\/a>.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Driver with Transport, 2023. Joshua Ben Longo. Pratt Institute BID’2003. Image generated in Midjourney.<\/figcaption><\/figure>\n\n\n\n
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Social Design
as a Relevant Discourse
November, 2019<\/p>\n\n\n\n

Mexico City, Mexico<\/p>\n\n\n\n

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A piece on Unfolding: Education and Design for Social Innovation<\/a>, a publication edited by Paulina Cornejo<\/a> from the Mexican university CENTRO de Dise\u00f1o, Cine y Televisi\u00f3n<\/a>.<\/p>\n<\/div>\n\n\n\n

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Social Design as a Relevant Discourse<\/strong> is a conversation the Venezuelan industrial designer Ashby Solano<\/a>.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Tension at the Borders
July, 2017<\/p>\n\n\n\n

Lisbon, Portugal<\/p>\n\n\n\n

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I wrote an article for the catalog of the exhibition New World: Visions Through the Ibero-American Design Biennial. 2008\u20132016<\/strong>, as a member of the Scientific Committee. The exhibition highlighted the richness and diversity of Ibero-American design, showcasing how professionals in the region have addressed contemporary challenges with innovative proposals.<\/p>\n<\/div>\n\n\n\n

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The text analyzed the evolution of design in Ibero-America and its impact on the global context. <\/p>\n\n\n\n

Presented at the MUDE Design Museum<\/a>, the exhibition established itself as a key space for reflecting on the connections between culture, design, and regional identity.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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What I Have Learned
April, 2013<\/p>\n\n\n\n

Bogot\u00e1, Colombia<\/p>\n\n\n\n

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Edition 75 Decalogues of Latinamerican Designers<\/a>, ProyectoDise\u00f1o Magazine.<\/p>\n<\/div>\n\n\n\n

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NoMATERIA:
The Value of Industrial Design
February, 2013<\/p>\n\n\n\n

Caracas, Venezuela<\/p>\n\n\n\n

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Dissemination Experiences in Digital Media<\/strong>. Journal of Communication N\u00b0157<\/a> Venezuela Studies of Communication.<\/p>\n<\/div>\n\n\n\n

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An peer-review publication<\/a> of the Centro Gumilla Foundation and the UCAB.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Articles in
P56 Magazine
2013\u2013present<\/p>\n\n\n\n

C\u00e1diz, Spain<\/p>\n\n\n\n

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A series of articles published in the industrial design magazine Proyecta56<\/a>.<\/p>\n<\/div>\n\n\n\n

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Member of the Scientific and Advisory Committee.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Knowing and Calculating Reality
March, 2012<\/p>\n\n\n\n

Buenos Aires, Argentina<\/p>\n\n\n\n

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Invisible Edition: 5 invisible Design Points<\/a>. DNI18 <\/strong>supplement, El Clar\u00edn<\/strong> Newspaper.<\/p>\n<\/div>\n\n\n\n

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Articles for MONO
Art and Design Magazine
2011\u20132014<\/p>\n\n\n\n

Caracas, Venezuela<\/p>\n\n\n\n

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I served as the editor of the design section from 2011. MONO<\/strong>, a Venezuelan magazine, was a bi\u2013monthly publication that explored the intersections between art and design. <\/p>\n<\/div>\n\n\n\n

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The magazine’s editors proposed a topic, and articles revolved around this theme. Additionally, some articles from the magazine were also published in di-conexiones<\/g><\/a>.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Collaborator in Experimenta
2011\u2013present<\/p>\n\n\n\n

Madrid, Spain<\/p>\n\n\n\n

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Articles
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Miniaturization: design operations<\/a> <\/p>\n\n\n\n

Topography of objects<\/a>
<\/p>\n\n\n\n

Interfaces: space for design<\/a>.<\/p>\n<\/div>\n\n\n\n

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Experimenta<\/a><\/g> Design Magazine.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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di-conexiones: Industrial Design Platform
September, 2009\u2013present<\/p>\n\n\n\n

Caracas, Venezuela \/ Brooklyn, NYC<\/p>\n\n\n\n

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Founded in 2009 as a notebook or blog dedicated to exploring direct connections around industrial design, www.di-conexiones.com<\/strong><\/a> has evolved into an independent platform focused on industrial design topics, written primarily in Spanish.<\/p>\n<\/div>\n\n\n\n

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Today, it features contributions from nearly 30 authors across 12 countries, establishing itself as a space for dissemination and reflection. With hundreds of articles, reviews, and repositories of links and resources, di-conexiones<\/strong> serves as a hub for those seeking to delve deeply into industrial design.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Profession:
Industrial Designer
April, 2003<\/p>\n\n\n\n

Caracas, Venezuela<\/p>\n\n\n\n

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This article was written as a contribution to the Venezuelan design magazine Logotipos<\/strong> and offers a personal and critical perspective on the practice and conditions of the profession in Venezuela.<\/p>\n<\/div>\n\n\n\n

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In 2013, it was published on di-conexiones<\/strong> under the title Profession: Industrial Designer in Venezuela, 10 Years Ago<\/a>.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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From Object to Interface:
How is a Refrigerator Similar to a Web Page?
October, 2002<\/p>\n\n\n\n

Caracas, Venezuela<\/p>\n\n\n\n

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If we can walk up to a refrigerator, pull a lever, or apply force to open one of its doors, why should it be any different\u2014at least in terms of use and functionality\u2014to move a mouse cursor and click a button or an interactive area?<\/p>\n\n\n\n

This article<\/a> was written in 2002 for OBJETUAL<\/strong>, a portal dedicated to design topics in Venezuela, which I co\u2013founded with Venezuelan graphic designer Jacinto Salcedo<\/a>.<\/p>\n<\/div>\n\n\n\n

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In 2023, as part of a project to recover the historical archive of this publication, Venezuelan designer Faride Mereb<\/a>, based in New York, led the creation of the OBJETUAL Archive 2002\u20132007<\/a>, where this article available again.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Architecture Today:
Editorial Committee Member
and Collaborator
1994\u20131997<\/p>\n\n\n\n

Caracas, Venezuela<\/p>\n\n\n\n

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A series of full\u2013page and double\u2013page articles (+20) in this section specialized in architecture and design, published in the Sunday edition.<\/p>\n<\/div>\n\n\n\n

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Arquitectura Hoy<\/a>, a section in the national newspaper Econom\u00eda Hoy<\/strong>. <\/p>\n<\/div>\n<\/div>\n\n\n\n

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