selected exhibitions

Iberoamerican Design Biennial, 2018

In November 2018 we presented in Madrid the sixth edition of the Ibero-American Design Biennial ( Bienal Iberoamericana de Diseño) BID18. An effort of promotion, visibility, and reflection on the design of the region. More than 400 projects, selected by an International Jury, from 23 countries were part of this exhibition. Since its creation in 2007, I am part of the Advisory Committee in charge of the representation of Venezuela and developing other activities related to the Biennial.

http://www.bid-dimad.org

NoMATERIA, 2018

This project is an initiative that capitalizes the work of designers in the design and development of products. A panorama of the fundamental areas where the design operates, arranged here to produce a dialogue between those more experimental and academic exercises, and the projects directly connected with the industrial sector. NoMATERIA 2012 – 2017 | Build the Future. Industrial Design In Venezuela is the 3rd. edition and was curated, produced, published online on di-conexiones in 2017 and displayed in 2018 at Pratt Institute in NYC. In NoMATERIA 2012 – 2017 there are 50 projects involving 74 Venezuelans, residing in 24 cities in 11 different countries.

Download the Catalog of the exhibition (eng/esp) HERE.

NASAD – Accreditation Exhibition, 2015

Pratt Institute | ID Department.
Along with other ID instructors and a team of ComD students, we coordinated and organized the exhibition for NASAD and Middle State NY, for the national accreditation of the ID program. The exhibition included student’s work of Undergraduate, Graduate, and Global Innovation Design program.

NoMATERIA “less atoms, more disclosure”, 2012

Two editions of NoMATERIA 2011 – 2012 were exhibited at the Carlos Cruz-Diez Museum in Caracas, Venezuela. An exhibition with 50 works of Venezuelan designers took the spaces of the Museum, an institution devoted to promote and discuss the disciplines of design and photography.

Detrás de las Cosas, 1995.

In 2005 he opened the Estancia Art Center in Caracas, an initiative of the national company Petroleos de Venezuela (Pdvsa) for the promotion of design and photography.  The center opened with a national exhibition on the production of industrial design in the country: “Behind the Things: Industrial Design in Venezuela”, curated by Architect Alberto Sato and Ignacio Urbina Polo.

The design and museography of this exhibition was a collaboration project with the architect Marcel Erminy and aimed to show objects designed and manufactured in the country, in the spaces of a colonial house in the city of Caracas. A sort of showcase with an undulating band showed small objects in the center of the main hall. Almost a hundred products wrapped up this exhibition, the largest exhibition on industrial design ever made in Venezuela.